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Choose Not To Use Archive Warnings, Rape/Non-Con, Underage.Harrygirl4 Fandoms: 5 Seconds of Summer (Band) Enjoy pretties :3 Language: English Words: 3,003 Chapters: 3/? Comments: 28 Kudos: 355 Bookmarks: 57 Hits: 24272 He encounter's Harry, the most popular guy in school, and his life changes. When his older step brother throws a party at their house. But he has secrets that he hopes no one will find out. Not someone who gets into trouble at all. Creator Chose Not To Use Archive Warnings.There’s no straight line from the pared-down K Records sound of their debut, Before The World Was Big, to the bombastic industrial glitches and groans that give Forgiveness its brutalist foundation.įorgiveness is the fourth studio album by Girlpool, but you could easily mistake it for another band’s work.Thatcandycanekid Fandoms: One Direction (Band) “Since Girlpool started, I’ve changed a lot,” says band member Harmony Tividad. “I didn’t know what I was made from, the fabric of my being.” She and bandmate Avery Tucker haven’t just grown - they’ve burst through their confines. Forgiveness is the crater left by that explosion, studded with memory-debris: burdens from old exes, fantasies never quite made real, photographs of previous, wounded selves. On opener “Nothing Gives Me Pleasure,” those wounds are literal. “Bite my tongue until it bleeds,” sings Tividad’s narrator. “I’ll smile at the feeling.” The song is about sex - the rough kind, with choking and screaming and “fingers up my ass.” It’s “painfully intimate,” says Tividad, and that’s the joke: “I was kind of playing with how physically intimate you could be with someone, and how little you get in return emotionally.” It’s the first of many songs on Forgiveness to throw light into the gap between physical touch and emotional knowledge.
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Tucker sings the next track, “Lie Love Lullaby,” about a relationship rife with envy and deceit. The lies passing between Tucker and his partner matter as much as the sex they share - and even that’s sweeter in rosy-eyed retrospect. “I cum so much to memory,” Tucker sings.Ībsence makes the heart grow fonder it can also, inconveniently, make the heart forget. “ Dragging My Life Into A Dream” could be a missive from Tucker’s older, wiser self to the narrator of “Lie Love Lullaby.” He yearns mightily for a past lover, but he recognizes, too, the yawning void between what the relationship was and what he wished it had been. “I felt like I wanted it again, and a better way than, like, going to get it, was to write about wanting it.” What to do with all that yearning, though? Where to put it? “The most cathartic part of that song was allowing myself to lean into wanting it,” he says. What else do Girlpool want? Tividad imagines, in the lyrics of “Junkie,” a childhood that never was, where she and a close friend could have explored their romantic feelings for one another instead of letting them lie. “We would listen to emo music and cry together in her closet,” says Tividad, laughing. “And it was like, so obviously gay.” Tividad, who was raised in a number of faith traditions - she nearly attended Catholic school but didn’t go, in the end the environment wasn’t exactly friendly to freewheeling artists - makes use of the imagery of churches, graveyards, buried secrets. Tucker’s imagination goes to dark places, too, in the stand-out “Country Star,” a brooding ballad fit for Jack and Ennis’s tent.
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Tucker, who came out as trans in 2017, says, “After many years of settling into my masculinity, I think that my relationship to other men definitely shifted.” He found himself drawn to the lawbreaking energy and stand-off dynamics of cowboys. Rather than living “comfortably” with a “sweet” little lady, the narrator of “Country Star” yearns to be utterly subsumed by a cowboy. “I wanna be your sin boy, baby,” Tucker sings. The musical backing is anything but country - spiky and sinister, with synths as jagged as broken glass. Tucker and Tividad feel no shame in divulging these fantasies. Throughout the record, they shower compassion on their younger selves, recognizing they’ve done the best they can. “I was looking at something that looked just like love,” they sing, on “Love333,” together, returning to the tight harmonies that made Girlpool’s name. Appearances can deceive it’s all so easy to look at cruelty and see love, to mistake bulletholes for butterflies. “Everything we experience creates mental patterns that we then project out into the world,” says Tividad.