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The lyrics attack the decision to use the bomb, making use of sardonic black humour ("Is mother proud of Little Boy today?") and suggesting that the bombing was unnecessary ("It shouldn't ever have to end this way"). The song is named after the aeroplane, a USAAF B-29 Superfortress called Enola Gay which dropped " Little Boy," the first atomic bomb to be used in an act of War on the Japanese city of Hiroshima on 6 August 1945, to bring an end to the Second World War. Serbian punk rock band KBO! recorded a version on their 2001 cover album "(Ne) Menjajte Stanicu" ((Do Not) Change The Station). The Guetta and Garraud remixes were released on a limited 12" to promote the compilation album.Ī live performance of this song, recorded at Guildhall, Portsmouth, England on Start date|1980|9|19, is featured in the film " Urgh! A Music War". In 2003 the double disc version was released in France only, which included the remixed versions by Guetta and Garraud as well. The second disc was dropped, and eventually only the Sash! remix appeared on "The OMD Remixes" EP's. In 1998 David Guetta & Joachim Garraud and Sash! made remixed versions of the song for the intended second disc of " The OMD Singles". An early version with a slightly different arrangement appears on the group's " Peel Sessions 1979-1983" album. It was released as a 7" single on 26 September 1980, and reached number 8 in the UK chart, also topping the charts in several European countries. It was written by frontman Andy McCluskey, and appears on the band's second album, " Organisation" (DinDisc/ Virgin, 1980). " Enola Gay" is a song by British synthpop band Orchestral Manoeuvres in the Dark (normally abbreviated to OMD). Producer = Orchestral Manoeuvres in the Dark and Mike Howlett Recorded = Ridge Farm Studios, Dorking, 1980 Released on 7-inch single on Septemin the UK, Australia and New Zealand (Dindisc, DIN 22), Canada (Dindisc/Virgin, VS 1123), France (Dindisc, 102454), Germany (Virgin, 102 454), Italy (Dindisc, VIN 45033), Japan (Victor, VIPX-1549), the Netherlands (Dindisc, 102.454), Portugal (Dindisc, VVD-45.035 ES) and Spain (Dindisc, A-102454) with picture sleeve reached #8 on the UK charts (charted on Octofor 15 weeks).Artist = Orchestral Manoeuvres in the Dark The More I See You (Harry Warren/Mack Gordon) (3:56) The Plastic Electricity (Andy McCluskey/Paul Humphries) (3:32)ī1. Almost (Andy McCluskey/Paul Humphries) (3:39)ī1. Annex (Andy McCluskey/Paul Humphreys) (4:32)ī1. FYI, the title alludes to annex the verb, not the noun. Generally speaking, the material on Organisation is much better than this B side would have you believe. The main melody, for example, seems to consist of two notes for much of the way, with percussive sounds layered on top.
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The B side in most regions was the non-album Annex, a dream-like track that’s heavy on atmosphere but doesn’t feel fully baked.
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Regardless of whether or not the message hit its target, “Enola Gay” is an early synthesizer classic that has aged remarkably well (the video, not so much), particularly its pioneering use of electronic drums. Although OMD’s song is clearly about the bombing of Hiroshima, the song’s romantic delivery likely meant that the its dark message flew over more than a few heads. In 1977, Ultravox released a song entitled “Hiroshima Mon Amour.” Perhaps taking their inspiration from the song, OMD released Enola Gay several years later.
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It’s an odd juxtaposition, love and nuclear annihilation, until you recall that the bomber in the Hiroshima attack was named after the pilot’s mother (Enola Gay) and the bomb it dropped was called “Little Boy.” In the subsequent Nagasaki attack, the bomb was named “Fat Man.” Leave it to the land of the free and the home of the slaves to put an Oedipal twist on genocide. Hiroshima Mon Amour was the name of a 1959 film by French director Alain Resnais. More or less “Hiroshima Mon Amour,” part deux.